Livestream

“Unfolding Intelligence” Symposium

In our dreams, computers were meant to be humanity’s helpmeet, easing our work, enlivening our play, and amplifying our creativity. In our nightmares, they are forces of control and surveillance, their algorithms undoing democracy and enabling exploitation. “Unfolding Intelligence: The Art and Science of Contemporary Computation” gathers artists, scientists, and humanists to discuss aesthetic, technical, and critical issues pertaining to artificial intelligence (AI) and computation. The goal of this interdisciplinary conversation is to bridge popular and tech-world understandings of AI as well as domain-specific, academic, and artistic approaches. The panel discussions stage art-science encounters with the goal of mingling otherwise enclosed areas of research, allowing for new public scrutiny and creating an inclusive field of inquiry that encourages a socially engaged view of our machines.  

The four “Unfolding Intelligence” panels address the following questions: How do recent tools in computation shape the models that scientists, artists, and engineers make of the world and universe? Can artists and scientists create a world in which Traditional Ecological Knowledge (TEK) and artificial intelligence (AI) are meaningfully brought together? Can AI and software systems explain how historically recalcitrant forms of oppression persist, embedded in our technologies? Can these same agents possibly provide alternative ways of being and living together? How has computation shaped the concept of intelligence and what models for the unfolding or formation of ideas does it provide?


SCHEDULE

Unless indicated otherwise, all events will be streamed above April 1-9, 2021.

Thursday, April 1 / 5-7pm // Generative Unfoldings Opening Reception

Friday, April 2 / 9am // Deep Time & Intelligence and Unfolding Models Video Presentation Release

Monday, April 5 / 11am-12pm // Deep Time & Intelligence Livestream Q&A

Monday, April 5 / 5-6pm // Unfolding Models Livestream Q&A

Wednesday, April 7 / 11am-1pm // Bias in AI Livestream Presentations and Q&A

Thursday, April 8 / 11am-12pm // Open Systems Part One, Livestream Presentations and Q&A

Thursday, April 8 / 5-7pm // Open Systems Part Two, Livestream Presentations and Q&A

Friday, April 9 / 11am-1pm // Breakout Rooms Meet the Speakers


Parallel Programming:
Tuesday, April 6 // The Max Wasserman Forum Videos Release
Saturday, April 10 / 3-5pm // The Max Wasserman Forum Keynote


Generative Unfoldings Exhibition Opening Reception

Live Presentation and Q&A with Artists: Thursday, April 1, 2021 / 5:00–7:00pm EST

Join us for the opening of the exhibition and the launch of the 2021 CAST Symposium “Unfolding Intelligence.”

Deep Time & Intelligence

Video Release: Friday, April 2, 2021 / 9:00am EST
Live Q&A: Monday, April 5, 2021 / 11:00am–12:00pm EST / Livestreamed above

How has computation shaped the concept of intelligence? What models for the unfolding in time of thought does it provide? This panel takes up the question of intelligence by addressing time scales from that of the infant to that of evolution. In the lived time of thinking and doing, rhythm and reflection interweave with anticipation and forecasting. Temporal forms, like recursion, also structure training protocols used in computational models of thinking and sensing. From a composer musician who sees the training of AI as a novel ritual form to a musicologist of paleolithic sonic intelligence and a computer scientist’s account of multi-modal sensory training inputs, this panel resituates AI within the long durée of thinking and microbursts of ingenuity called training or learning.

Convened by William Lockett.

Panelists:

MEDIA HISTORY

William Lockett

DIGITAL MUSIC AND COMPOSITION

Holly Herndon

MUSICOLOGY

Gary Tomlinson

ARTIFICIAL INTELLIGENCE

Antonio Torralba

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Unfolding Models

Video Release: Friday, April 2, 2021 / 9:00am EST
Live Q&A: Monday, April 5, 2021 / 5:00–6:00pm EST / Livestreamed above

How do tools in computation shape the models that scientists, artists, and engineers make of the world and universe? From simulations of cosmic evolution to models of the unfolding of epidemics, computer and AI-aided work sees practitioners unfolding the possibilities of digital calculation and representation. In play are ways of animating theories, translating abstractions into code, and working, often collaboratively and cross-disciplinarily, across scales of structure and degrees of data resolution in order to fashion models that can force new thinking or intervention into the realms—physical, biological, social, and political—that such models represent.

Convened by Stefan Helmreich.

Panelists:

ANTHROPOLOGY

Stefan Helmreich

RESOLUTION THEORY

Rosa Menkman

PHYSICS AND ASTRONOMY

Priyamvada Natarajan

COMPUTATIONAL EVOLUTIONARY
BIOLOGY

C. Brandon Ogbunu

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Bias in AI

Live Presentation and Q&A: Wednesday, April 7, 2021 / 11:00am–1:00pm EST / Livestreamed above

It is now well known that AI systems can encode many forms of bias, including those that serve social oppression. It’s imperative for system designers to consider the impacts of such unfair biases and for users to be critically aware of them. This panel takes up this challenge through an interdisciplinary dialogue to imagine how we can design AI systems to ensure not only ethically sound systems, but systems that serve the needs of human empowerment. Specific topics include: particular forms of bias related to artificial neural network (ANN)-based approaches such as deep learning, social biases such as racism and sexism in AI systems, and the capacity of AI systems to reveal and fight unfair biases — not only to instantiate them.

Co-presented by the MIT Center for Advanced Virtuality and convened by D. Fox Harrell.

Panelists:

DIGITAL MEDIA AND ARTIFICIAL INTELLIGENCE

D. Fox Harrell

AFRICAN AMERICAN STUDIES

Ruha Benjamin

CREATIVE TECHNOLOGY AND CRITICAL MAKING

Behnaz Farahi

COMPUTER SCIENCE

Jon Kleinberg

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Open Systems

Part 1: Thursday, April 8, 2021 / 11:00am–12:00pm EST / Livestreamed above
Part 2: Thursday, April 8, 2021 / 5:00–7:00pm EST / Livestreamed above

Creative artists and scientists are already engaging ways to bring Traditional Ecological Knowledge (TEK) together with machine learning in meaningful ways. Speakers in “Open Systems” look at alternative approaches to modeling planetary systems, often with AI but often with other computational maneuvers that might exchange singularity for intuition or reciprocity. Open systems are those concerned with how A.I. is only part of how we understand planet Earth, refocusing on various kinds of permeability: looking to the politics of indigenous epistemologies as they have shaped multiple generations of new media art; to artistic interrogations of asemic writing generated by AI trained on the form and motion of primordial organisms; and to the art and science of more-than-human intelligences. From recalcitrant microbial and computational poetry to ghost-colored extraterrestrials, the systems of world building are always more than humans and their machines.

Co-presented by the MIT Transmedia Storytelling Initiative and convened by Caroline A. Jones.

Panelists:

ART HISTORY AND CURATION

Lars Bang Larsen

COMPUTATIONAL ARTS

Jason Edward Lewis

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Breakout Rooms

Live Interactive Event: Friday, April 9, 2021 / 11:00am–1:00pm EST

Join us for the final session of “Unfolding Intelligence” to explore hidden threads between the presentations, exhibitions, and panel discussions that occurred during the week. Attendees will have the opportunity to join symposium speakers and artists in breakout rooms that are thematically oriented based on public discussions on social media. Follow @artsatmit and tag your questions and comments using #mitcast throughout the symposium to be part of the conversation.

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PARALLEL PROGRAMMING

The Max Wasserman Forum

Videos Available: Tuesday, April 6, 2021
Live Presentation and Q&A: Saturday, April 10, 2021 / 3:00–5:00pm EST / Register and attend via the List Visual Art Center

The 2021 Max Wasserman Forum, entitled Another World, brings together artists, educators, and writers at the forefront of discourse on art in the digital realm to share their deep understandings and perspectives on digital media’s potential for more radical, imaginative, and limitless expressions.

Two pre-recorded online panel discussions, What are we Building? and What are the Barriers?, address questions such as: How do digital platforms affect art and create new possibilities of what art and artists can do? What strategies are employed by artists to bridge speculative ideas and in real life encounters? What are the extended or alternative experiences provided by artists that affect human consciousness?

The Forum culminates with a live streamed closing address by Berlin-based filmmaker, visual artist Hito Steyerl.

Presented by the MIT List Visual Arts Center.

Panels:

What are we Building?
Panelists: Salome Asega | Rindon Johnson  | Lawrence Lek
Moderator: Eunsong Kim

What are the Barriers?
Panelists: American Artist | Lauren Lee McCarthy
Moderator: Gloria Sutton

Wasserman Forum Keynote Speaker:

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